|
***** This item is for DOMESTIC U.S.A. orders ONLY! International customers must ask permission BEFORE buying! *****
>>> NOTE- I DO NOT USE GOLDMINE GRADING! I use my own grading system. PLEASE scroll down to read an explanation of my System BEFORE YOU BID OR BUY! <<<
BLOOD, SWEAT & TEARS
1969 LP-
BLOOD, SWEAT & TEARS
COLUMBIA RECORDS # CS 9720
Item # BST33
>>> FREE DOMESTIC SHIPPING & HANDLING! <<<
"The roots of Blood, Sweat & Tears lay in one weekend of hastily assembled club shows in New York in July 1967. Al Kooper was an ex-member of the Blues Project, in need of money and a fresh start in music. He'd been toying with the notion, growing out of his admiration for jazz bandleader Maynard Ferguson, of forming an electric rock band that would use horns as much as guitarists and jazz as much as rock as the basis for their music. Jim Fielder , late of Buffalo Springfield, on bass, whom Kooper brought in from California; Kooper's former Blues Project bandmate, guitarist Steve Katz ; and drummer Bobby Colomby, with whom Katz had been hanging out and also talking about starting a group. Kooper agreed, as long as he was in charge musically — having just come off of the Blues Project, who'd been organized as a complete cooperative and essentially voted themselves out of existence, he was only prepared to throw into another band if he were calling the shots. This became the group that Kooper had visualized; it would have a horn section that would be as out front as Kooper's keyboards or Katz's guitar. Colomby brought in alto saxman Fred Lipsius, a longtime personal idol, and from there the lineup grew, with Randy Brecker and Jerry Weiss joining on trumpets and flügelhorns, and Dick Halligan playing trombone. The new group was signed to Columbia Records, and the name Blood, Sweat & Tears came to Kooper in the wake of an after-hours jam at the Cafe au Go Go, where he'd played with a cut on his hand that had left his organ keyboard covered in blood.
The original Blood, Sweat & Tears turned out to be one of the greatest groups that the 1960s ever produced. Their sound, in contrast to R&B outfits that merely used horn sections for embellishment and accompaniment, was a true hybrid of rock and jazz, with a strong element of soul as the bonding agent that held it together; Lipsius, Brecker, Weiss, and Halligan didn't just honk along on the choruses, but played complex, detailed arrangements; Katz played guitar solos as well as rhythm accompaniment, and Kooper's keyboards moved to the fore along with his singing. Their sound was bold, and it was all new when Blood, Sweat & Tears debuted on-stage at the Cafe au Go Go in New York in September 1967, opening for Moby Grape. Audiences at the time were just getting used to the psychedelic explosion of the previous spring and summer, but they were bowled over by what they heard — that first version of Blood, Sweat & Tears had elements of psychedelia in their work, but extended it into realms of jazz, R&B, and soul in ways that had scarcely been heard before in one band. With Colomby and Katz taking over the lead vocals, the group broached the idea of getting a new vocalist and moving Kooper over exclusively to playing the organ and composing. By the end of March 1968, Blood, Sweat & Tears blew apart — Kooper left the lineup, taking a producer's job at Columbia Records; at that same point, Randy Brecker announced his intent to quit. Ironically, at around the same time, Jerry Weiss, who'd actually favored Kooper's ouster, also headed for the door as well.
That might've been the end of their story, except that Bobby Colomby and Steve Katz saw the opportunity to pull their own band out of this debacle. Columbia Records decided to stick with them while Katz and Colomby considered several new singers, including Stephen Stills before they found David Clayton-Thomas. A Canadian national since the age of five, Clayton-Thomas at the time was performing with his own group at a small club in New York. He came aboard, with Halligan moved over to keyboards, Chuck Winfield and Lew Soloff on trumpets, and Jerry Hyman succeeding Halligan on the trombone. The new nine-member group reflected Colomby and Katz's vision of a band, which was heavily influenced by the Buckinghams, a mid-'60s outfit they'd both admired for mix of soul influences and their use of horns — toward that end, they got James William Guercio, who had previously produced the Buckinghams, as producer for their proposed album. The resulting album, simply called Blood, Sweat & Tears, was issued in January 1969."
"Arguably, the Blood, Sweat & Tears that made this self-titled second album was really a different group from the one that made Child Is Father to the Man, which was done largely under the direction of singer/songwriter/keyboard player/arranger Al Kooper. Kooper was even still present as an arranger on two tracks, notably the initial hit "You've Made Me So Very Happy." But the second BS&T, under the aegis of producer James William Guercio, was a less adventurous unit, and, as fronted by Clayton-Thomas, a far more commercial one. Not only did the album contain three songs that neared the top of the charts as singles — "Happy," "Spinning Wheel," and "And When I Die" — but the whole album, including an arrangement of "God Bless the Child" and the radical rewrite of Traffic's "Smiling Phases," was wonderfully accessible. It was a repertoire to build a career on, and Blood, Sweat & Tears did exactly that, although they never came close to equaling this album."
VARIATIONS ON A THEME BY ERIC SATIE(1ST & 2ND MOVEMENTS)
SMILING PHASES - SOMETIMES IN WINTER
MORE AND MORE
AND WHEN I DIE - GOD BLESS THE CHILD
SPINNING WHEEL
YOU'VE MADE ME SO VERY HAPPY - BLUES-PART II
VARIATIONS ON A THEME BY ERIC SATIE(1ST MOVEMENT)
Producer Jim Guercio was an Amazing dude who gave us Horn Bands like Chicago and this one, possibly the first great horn band! I've graded this hit-filled album VG+ and it played good. It has the Columbia Records "360 SOUND" labels with the "2-Eye Logo". Then VG++ for the beautiful Gatefold cover. There is no barcode on this one. DON'T MISS THIS ONE!!! SHAZAM!!
***** This item is for DOMESTIC U.S.A. orders ONLY! International customers must ask permission BEFORE buying! *****
* * * * *
NOTE: Be sure to check out my other Hundreds of listings in my Ebay Store, Sunny Daze Music, Comics and Toys! There are many Toys, Comics, Shirts, Collectibles and dozens of LP Records, CDs and DVDs for sale Right NOW!  I always give discounts for combined invoices!
* * * * *
This LP Record Set was cleaned using the
VPI HW-16.5 VACUUM TUBE CLEANER!
The HW-16.5 is the standard in record cleaning machines, neither its build quality nor its cleaning power has ever been surpassed! Its high-torque, 18 RPM turntable motor is capable of standing the pressure of heavy scrubbing during long cleaning sessions, and its 35-second cleaning cycle makes quick work out of even the dirtiest records! The improved 16.5 model has the new self-aligning vacuum suction tube for even more accurate cleaning! I now clean all of my records that are NOT Factory Sealed with the VPI, then test listen to the vinyl, then clean the record again with the VPI. This baby costs me hundreds of dollars, but My Customers Deserve THE BEST!!!
GRADING SCALE
I use a Universal Grading System to describe the quality of the LP albums and 45 singles that I sell. I grade records under strong, diffused room light or discreet sunlight. I do not use stock photos for my ads; all of my scans are of the Item You See! You get no surprises from me!
NOTE: Please keep in mind that when I describe any LP, I am referring to its Original Year Of Release, NOT the year that the LP was printed! In many cases, the year that a given LP was printed is unknown. When in doubt, PLEASE ASK me! Thank You!
All of my LP’s are stored upright in a SMOKE-FREE ENVIRONMENT!
- SS Mint (M): Album is New, Still Sealed and has never been played.
- Mint (M): The vinyl has no noticeable scratches, fingerprints or defects and looks like it has never been played, although there may be use at the spindle hole. The cover has no noticeable wear or defects. There may be very slight curling of the right side corners of the cover due to shrink wrap pressure. May still have it’s original shrink wrap. MINT does not mean "perfect".
- Near Mint (NM): Almost Mint vinyl with perhaps a few visual imperfections that should not affect the sound of the record. Perhaps a small amount of static can be heard on a few areas. Cover is nice looking with little or no ring wear and may still have its original shrink wrap.
- VG++: Vinyl has some signs of wear; very clean, only light surface marks, scuffs or scratches which will not distract significantly from the sound, some audible static, some snaps or pops but no stalls or skips unless listed. Cover may have some signs of wear, perhaps some ringwear but is still in nice collectible condition, solid with no cuts,holes or splits unless listed, may have edge repairs.
- VG+: Played often with moderate surface wear, marks, scuffs or scratches, and some moderate noise, static, pops or skips - still plays well with increased areas of pops and static. Cover may have significant overall wear and ring wear, repaired edges or spine, may have cuts/holes/cut corners.
- VG: Overall wear, more noisy sound during quiet passages, a lot of static and many skips that require lifting the needle. Cover is well worn, usually with considerable ring wear. may have cuts, holes, cut corners. May have taped edges. The lowest grade.
In my opinion, the grade of “Mint” and the word “Mint” does not equal Perfection. The grade of Perfection does not exist, as far as I know. Different phono cartridges and stereo setups, condition of the needle and if the record is cleaned before playing (or not cleaned) affects the way a vinyl record sounds. You can look at a record with the naked eye and not see micro imperfections which might affect the music and the sound. There are just too many variables. I listen to records after cleaning them. If I do not hear skips or pops or snaps and I do not see noticeable scratches, then as far as I am concerned, that record is Mint. Be very careful not to compare my grading standards with those of others. I do not use Goldmine and to compare my grades to Goldmine is not really fair. Remember, it's always best to ask questions BEFORE bidding!
**********
Buy it here and buy the BEST! It is my goal to be one of the BEST Ebay Sellers and I can only do that by giving YOU the BEST SERVICE POSSIBLE!!! I ALWAYS ship within 2 BUSINESS DAYS after receiving your cleared payment. ALWAYS FAST, FAST PROCESSING WHEN YOU BUY FROM ME!!!
EVERYTHING that I offer in my auctions come from a SMOKE-FREE ENVIRONMENT!
Unlike most Ebay Sellers, I do NOT use padded or unpadded envelopes to ship my items. All of my auctioned items are shipped in Boxes, using the BEST packing materials and procedures! YOU deserve THE BEST!!!
YES, I DO combine shipments! SAVE $$$ (see below)
Check out my other items!
**********
MY EBAY POLICIES AND TERMS:
Please read everything BEFORE bidding:
Your bid is a contract to buy. Please do not bid if you do not intend to pay. Invoices are sent to winning bidders after the last auction ends. You have 7 days to pay your invoice. After 7 days, I WILL FILE WITH EBAY FOR NON PAYING BIDDER and you will get one strike on your record. Many Ebay Sellers block Buyers if they have even 1 strike! If you have any questions, please email me through the Ebay message system. Please DO NOT change or alter any invoice sent to you without checking with me first. Thank You!
FEEDBACK: Like most Ebay Sellers, I will leave feedback on your payment only after I receive feedback from you. I want the whole Ebay Community to know what a great Ebayer you are, and I hope to receive positive feedback for the great service that I give to You!
I Am PayPal Verified!
PayPal is the only forms of payment accepted. PayPal payment is to be made within 7 days after the auction ends.
*************************
PayPal Requirements: <<< PLEASE READ!
U.S.A. and Worldwide: <<< PLEASE READ!
I ONLY ship to Confirmed and Verified addresses. If you DO NOT have a confirmed address on your Paypal account, PLEASE DO NOT BID ON MY AUCTIONS. I WILL NOT SHIP TO ANY ADDRESS THAT DOES NOT APPEAR ON THE Ebay/Paypal invoice.
Because of recent changes to the U.S. Postal Rates, all International shipments will be via PRIORITY MAIL INTERNATIONAL. There are no exceptions. Some of my Store Inventory will have other details and have not been updated. Those international shipments will also ship Priority Mail International. Questions? Please ask me BEFORE bidding! Thank You!
*************************
SHIPPING INSTRUCTIONS:
I will ship within 2 BUSINESS DAYS of receiving your confirmed payment. International Buyers are responsible for all duty/customs fees. If you choose USPS MEDIA MAIL, please allow up to 4 weeks for delivery. I am not responsible for how fast the package gets to you, once it is dropped off at the USPS office. All shipping charges include a small handling charge which covers packing materials, administrative costs and transportation costs.
*************************
COMBINED SHIPPING: If you order more than 1 Album from me within a 3-day period, I will deduct $2.00 from the shipping charges for each extra item! If you buy 3 Albums, you SAVE $4.00! If you buy MORE, you save MORE! Also, I will adjust your total so that you save EVEN MORE on the final S&H charge! If you wish to hold your purchases for more than 2 days you MUST email me through the Ebay message system. Please DO NOT change or alter any invoice sent to you without checking with me first. Thank You!
RETURNS POLICY:
Returns will be accepted within 14 days. After the 14th day,delivery for the returned item will be refused.LOT ITEM COST will be calculated based on winning bid & number of items in the lot-the cost will be refunded. DAMAGED ITEMS must be returned to me for your refund. S&H costs are NOT refundable. Buyer is responsible for returning the item within the specified 14 days.International Returns:ALL CUSTOMS AND DUTY FEES WILL BE DEDUCTED FROM YOUR REFUND!!
**********
|
