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Mötley Crüe - Theatre of Pain (CD)
Original 10 Track,
1985 Elektra CD Release
AAD OUT OF PRINT!!!
This CD is NOT the Enhanced Remastered version!!!
CD CONTAINS (AS ORIGINALLY RELEASED)
FIRST 10 SONGS ONLY.
UPC: # 07559604182Elektra # 9 60418-2
AAD recording format
Used CD in GREAT PLAYING CONDITION!!!
Includes CD and all Inserts!!!
CD may have Superficial Scratches that doesn't effect play.
Jewel Case and Inserts have normal wear.
Another hard hitting metal album from the crue with a classic cover that
suits them to a T.
Motley = Metal!
Track
listing
1. City Boy Blues
2. Smokin'
in the Boys Room
3. Louder Than Hell
4. Keep
Your Eye on the Money
5. Home Sweet Home
6. Tonight
(We Need a Lover)
7. Use It or Lose It
8. Save
Our Souls
9. Raise Your Hands to Rock
10. Fight
For Your Rights
Product Details
- Audio CD (1985)
- Original Release Date: Jan. 1985
- Number of Discs: 1
- Format: AAD
- Label: Elektra / wea
- UPC: # 07559604182
- Elektra # 9 60418-2
Motley Crue Biography
Mötley Crüe were one of the most influential hair metal bands of the
'80s, boasting a striking visual presence and hedonistic reputation
rivaled only by Guns N' Roses. By combining Alice Cooper's shock rock
with the bluesy, metallic stomp of the New York Dolls and Aerosmith,
they helped establish hair metal as a commercial genre, sending their
first five albums to platinum status in the process. Such success was at
least partially due to Mötley Crüe's reputation as a riotous pack of
rabble-rousers, replete with drug addictions, near-death experiences,
groupie encounters, and celebrity girlfriends. Of course, that same
self-indulgence nearly derailed the band, forcing the musicians to
embrace sobriety during the creation of their most successful album to
date, 1989's Dr. Feelgood. Like most hair metal bands, Mötley Crüe's
album sales waned during the 1990s, as the popularity of grunge
overshadowed most of the music that immediately prefaced it.
Nevertheless, the band soldiered through the decade with modest success,
releasing two gold-selling albums along the way. The new millennium
brought similar luck, as Mötley Crüe established themselves as a
fashionable touring act (with Crüe Fest becoming the summer's
highest-grossing festival in 2008) while continuing to release new
material.
Formed in January 1981, Mötley Crüe were originally the
pet project of bassist Nikki Sixx (born Frank Ferrana),
vocalist/guitarist Greg Leon, and drummer Tommy Lee (born Thomas Lee
Bass). Leon was a veteran of the Hollywood scene, having replaced Randy
Rhoads in Quiet Riot two years prior. He butted heads with the
strong-willed Sixx, however, resulting in his departure from the lineup
several months later. Local guitarist Bob "Mick Mars" Deal joined in his
place, bringing the moniker "Mottley Krue" with him. After altering the
name and adding a pair of umlauts (allegedly in tribute to German
beer), the trio began efforts to recruit Vincent Neil Wharton, vocalist
for the L.A.-based band Rock Candy. Neil initially refused the advances,
only joining the band after his Rock Candy cohorts announced their
decision to transform their group into a new wave act. With Vince Neil
now on board, Mötley Crüe became a cult favorite on the L.A. circuit,
infamously known for such theatrics as setting Sixx's pants on fire
midsong.
The band soon secured management with Allan Coffman, who
financed recording sessions for a debut album. Initially released in
November 1981 by Lethur Records -- a small, independent label launched
by Coffman and the band -- Too Fast for Love sold a surprising 20,000
copies. It also prompted a Canadian tour, where the musicians made
headlines by wearing their spike-laden stage attire onto the plane,
carrying suitcases of pornographic material through airport security,
and fielding death threats from incensed fans in Edmonton. Such exposure
only served to fuel Mötley Crüe's sensationalist appeal, generating the
sort of shocked press coverage that the band desired.
Back at
home, Elektra Records had become impressed by the band's popularity in
local venues, prompting the label to sign Mötley Crüe before releasing a
new, remastered version of Too Fast for Love. Following the band's
return to California, Elektra also released the sophomore effort Shout
at the Devil in 1983. The video for "Looks That Kill" became an MTV hit,
broadcasting the group's glammed-up theatrics to an audience unfamiliar
with Mötley Crüe's popularity on the club circuit, and the record went
platinum as a result. Shout at the Devil sold an additional million
copies in 1984, but the party was brought to a temporary standstill when
Vince Neil crashed his car on December 8, killing passenger Nicholas
"Razzle" Dingley of Hanoi Rocks. The other victims emerged with broken
bones and brain damage, while a relatively unscathed Neil was found
guilty of vehicular manslaughter and driving under the influence. He was
ultimately incarcerated for 15 days in 1986, in addition to performing
community service and paying a large cash settlement. By the time Neil
was sentenced, however, the band's newest record, Theatre of Pain, had
already enjoyed a lengthy stay on the charts, cementing the band's
mainstream status and producing Mötley Crüe's first Top 40 hit with a
cover of Brownsville Station's "Smokin' in the Boys' Room." Neil's stint
in jail was brief, and the band was free to continue its decadent
reign.
Under the management of Doug Thaler and Doc McGhee, the
latter of whom also managed Bon Jovi, Mötley Crüe's popularity expanded
throughout the latter half of the '80s. "Home Sweet Home," a power
ballad from Theatre of Pain, yielded another popular music video, while a
44-minute home video cassette entitled Uncensored was issued in 1986 to
multi-platinum sales. Meanwhile, Lee married actress Heather Locklear,
and the band returned to the studio to record a fourth album, Girls,
Girls, Girls. Released during the band's substance-addled heyday in
1987, the album debuted at number two, with the raunchy title track
becoming Mötley Crüe's second Top 40 hit. The group quickly embarked on a
headlining tour, but the European dates were canceled when Sixx
suffered a near-fatal heroin overdose. He was pronounced legally dead en
route to the hospital, only to be revived by two shots of adrenaline to
the heart. Upon returning home, Sixx immediately shot up once again.
Shocked, Thaler and McGhee urged their clients to enter a drug
rehabilitation program, and Mötley Crüe remained out of the spotlight
while the bandmates cleaned up their act.
They returned in 1989 --
clean and sober this time -- with the release of Dr. Feelgood, a
muscled album that became Mötley Crüe's first release to top the
Billboard charts. Meanwhile, the title track became the band's first Top
Ten hit, and a string of additional singles -- "Kickstart My Heart"
(inspired by Sixx's brush with death), "Don't Go Away Mad (Just Go
Away)," and "Without You" -- made Dr. Feelgood the most successful Crüe
album to date. After another worldwide tour, the compilation album
Decade of Decadence arrived in 1991, propelled to multi-platinum status
by a new version of "Home Sweet Home" that became the band's final Top
40 hit.
After creating their own record label, Mötley Records, the
bandmates signed a renewed contract with Elektra for $25 million. The
music industry had begun to devote most of its attention to grunge
music, however, and the pressure to keep pace with changing trends took
its toll on the band's camaraderie. In 1992, sessions for Mötley Crüe's
next album turned ugly, leading to the dismissal (or departure,
depending on the source) of Neil, who was replaced by the Scream's John
Corabi. The revised band issued Mötley Crüe in 1994, which peaked at
number seven in the U.S. and eventually went gold. Such an attempt to
embrace a new, grungier sound proved to be a commercial disappointment,
however, as did the band's supporting tour. Corabi was fired in 1997 at
the label's behest, and Neil returned to the lineup for the release of
Generation Swine. The subject of a heavy marketing campaign, Generation
Swine debuted at number four, although it failed to generate any
significant singles. Meanwhile, Corabi resurfaced alongside former Kiss
guitarist Bruce Kulick in the group Union.
Shortly after the
release of Greatest Hits in 1998, Tommy Lee was arrested for spousal
abuse against Pamela Anderson. He spent most of the year in jail,
effectively killing any momentum generated by the gold-selling status of
Greatest Hits and Generation Swine. Meanwhile, the group's contract
with Elektra fell apart, prompting Mötley Records to switch its
affiliation to the Beyond label. The band acquired the rights to its
back catalog in the process.
After numerous bitter encounters with
Neil, Tommy Lee left the band in 1999 to form Methods of Mayhem, which
released a self-titled debut album later that year. He was replaced by
former Ozzy Osbourne drummer Randy Castillo, and the revamped lineup
celebrated its acquisition of the Crüe catalog by issuing remastered
editions of every studio album, as well as the rarities collection
Supersonic and Demonic Relics. A collection of new material, New Tattoo,
appeared in the summer of 2000 to a lukewarm reception, and Castillo
became stricken with an undisclosed illness on the eve of the requisite
tour. While he recuperated at home, the band temporarily enlisted Hole's
drummer (and lifelong Crüe fan), Samantha Maloney, to handle percussion
duties.
In May 2001, the band issued a best-selling, tell-all
biography entitled The Dirt. During the downtime that followed its
release, Neil launched a brief solo tour of U.S. clubs and Sixx wrote
material for other artists, including Tantric, Meat Loaf, Faith Hill,
Tim McGraw, and James Michael. Sadly, Castillo succumbed to cancer
during the following spring, prompting the band to continue its hiatus.
Although Sixx speculated publicly about the possibility of a reunion
tour, Tommy Lee quickly rebutted such rumors, claiming that his
relationship with Vince Neil was simply too poor for any sort of
reconciliation. Controversy surrounded the band again as former producer
Tom Werman sued for unpaid royalties, Neil's former wife Heidi Mark
publicly accused him of physical abuse, and Neil was kicked off a
nationally syndicated radio show for being too drunk to maintain an
interview.
Rumors of a reunion continued to swirl throughout the
following two years, even as Mötley Crüe's members remained loyal to
their individual projects. Both Tommy Lee and Vince Neil participated in
celebrity TV shows -- Lee as the focus of an NBC series that featured
the drummer attending college classes, and Neil in the first season of
The Surreal Life -- while Sixx toured and released an album with his new
band, Brides of Destruction. In late 2004, however, the four original
members announced a full-scale reunion tour for the following year,
marking their first outing since the late '90s. The tour coincided with
the February release of Mötley Crüe's double-disc greatest-hits
collection, Red, White & Crüe, which went platinum within six months
of its release. The reunion tour was further celebrated by the release
of a concert album, Carnival of Sins Live, in 2006, while a record of
new material, Saints of Los Angeles, arrived in 2008. In keeping with
their recent dedication to the road, the bandmates subsequently unveiled
plans for Crüe Fest, a summer package tour that netted over $40 million
during its inaugural year.